Getting under the skin of a medieval mystery

A simple PVC eraser has helped an international team of scientists led by bioarchaeologists at the University of York to resolve the mystery surrounding the tissue-thin parchment used by medieval scribes to produce the first pocket Bibles.

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Image courtesy of the John Rylands Library University of Manchester

Thousands of the Bibles were made in the 13th century, principally in France but also in England, Italy and Spain. But the origin of the parchment — often called ‘uterine vellum’ — has been a source of longstanding controversy.

Use of the Latin term abortivum in many sources has led some scholars to suggest that the skin of fetal calves was used to produce the vellum. Others have discounted that theory, arguing that it would not have been possible to sustain livestock herds if so much vellum was produced from fetal skins. Older scholarship even argued that unexpected alternatives such as rabbit or squirrel may have been used, while some medieval sources suggest that hides must have been split by hand through use of a lost technology.

A multi-disciplinary team of researchers, led by Dr Sarah Fiddyment and Professor Matthew Collins of the BioArCh research facility in the Department of Archaeology at York, developed a simple and objective technique using standard conservation treatments to identify the animal origin of parchment.

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Sarah Fiddyment, Matthew Collins and Antoinette Curtis. Image courtesy of the Norfolk Record Office

 

The non-invasive method is a variant on ZooMS (ZooArchaeology by Mass Spectrometry) peptide mass fingerprinting but extracts protein from the parchment surface simply by using electrostatic charge generated by gentle rubbing of a PVC eraser on the membrane surface.

The research, which is published in Proceedings of the National Academy of Sciences (PNAS), involved scientists and scholars from France, Belgium, Denmark, Ireland, the USA and the UK. They analysed 72 pocket Bibles originating in France, England and Italy, and 293 further parchment samples from the 13th century. The parchment samples ranged in thickness from 0.03 – 0.28mm.

Dr Fiddyment said: “We found no evidence for the use of unexpected animals; however, we did identify the use of more than one mammal species in a single manuscript, consistent with the local availability of hides.

“Our results suggest that ultrafine vellum does not necessarily derive from the use of abortive or newborn animals with ultra-thin skin, but could equally reflect a production process that allowed the skins of maturing animals of several species to be rendered into vellum of equal quality and fineness.”

The research represents the first use of triboelectric extraction of protein from parchment. The method is non-invasive and requires no specialist equipment or storage. Samples can be collected without need to transport the artifacts — researchers can sample when and where possible and analyse when required.

Bruce Holsinger, Professor of English and Medieval Studies at the University of Virginia and the initial humanities collaborator on the project, said: “The research team includes scholars and collaborators from over a dozen disciplines across the laboratory sciences, the humanities, the library and museum sciences–even a parchment maker. In addition to the discoveries we’re making, what I find so exciting about this project is its potential to inspire new models for broad-based collaborative research across multiple paradigms. We think together, model together, write together.”

Alexander Devine, of the Schoenberg Institute for Manuscript Studies at the University of Pennsylvania, said: “The bibles produced on a vast scale throughout the 13th century established the contents and appearance of the Christian Bible familiar to us today. Their importance and influence stem directly from their format as portable one-volume books, made possible by the innovative combination of strategies of miniaturization and compression achieved through the use of extremely thin parchment. The discoveries of this innovative research therefore enhance our understanding of how these bibles were produced enormously, and by extension, illuminate our knowledge of one of the most significant text technologies in the histories of the Bible and of Western Christianity.”

Professor Collins added: “The level of access we have achieved highlights the importance of this technique. Without the eraser technique we could not have extracted proteins from so many parchment samples. Further, with no evidence of unexpected species, such as rabbit or squirrel, we believe that ‘uterine vellum’ was often an achievement of technological production using available resources.”

Since finishing the work, parchment conservator Jiří Vnouček, a co-author on the paper, has used this knowledge to recreate parchment similar to ‘uterine vellum’ from old skins. He said: “It is more a question of using the right parchment making technology than using uterine skin. Skins from younger animal are of course optimal for production of thin parchment but I can imagine that every skin was collected, nothing wasted.”

The paper ‘The animal origin of thirteenth-century uterine vellum revealed using non-invasive peptide fingerprinting’ is published in PNAS

The research team included scientists and scholars from BioArCh, Department of Archaeology and the Department of History, University of York; Department of English, University of Virginia; Institut de recherche Religions, spiritualités, cultures, sociétés, Université catholique de Louvain; Schoenberg Institute for Manuscript Studies , University of Pennsylvania; Archéologies environnementales niversité, Université de Paris 1 Panthéon-Sorbonne; Department of Archaeology, University of Sheffield; Nuffield Dept. of Medicine, University of Oxford; Department of Conservation, Cambridge University Library; Norfolk Record Office; The Fitzwilliam Museum, Cambridge; Smurfit Institute of Genetics, Trinity College Dublin, The John Rylands Library, and the Department of Italian, University of Manchester; School of Art History, University of St Andrews; Rare Books & Manuscripts Library, The Ohio State University, The Royal Library, København, Denmark.
For more information about BioArCh at the University of York, please visit their website

 

The Lords of Misrule: The Cornish Ordinalia: From the Resurrection to the Ascension (26-28 November 2015)

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The Centre for Medieval Studies Drama Group Lords of Misrule return again for their autumn play, “The Cornish Ordinalia: From the Resurrection to the Ascension”.

Join us at St Mary Bishophill Junior for a medieval Cornish treat (in English), featuring doubtful apostles, uncertain angels, bodies that just won’t stay buried and medieval seasonal music. There will be mince pies and mulled wine at the interval.

7pm 26, 27 and 28 November
Tickets on the door £5/£7

Recent PhDs in Medieval Studies

We would like to congratulate three of our PhDs in Medieval Studies who have successfully passed their vivas since September:

 

Katharine Handel, French Writing in the Cloister. Four Texts from Saint Albans Abbey Featuring Thomas Becket and Alexander the Great, c.1184-c.1275

Supervised by Prof Elizabeth Tyler (English) and Dr Sethina Watson (History), Katharine examined the important place of Francophone culture in the monastery of St Albans from the late 12th to the late 13th century. The dissertation examines works like Beneit’s Life of Becket, the Roman de toute chevalerie and the unpublished Estoire le rei Alixandre.

Katharine is now working at Oxford University Press.

 

Brad Kirkland, Now Thrive the Armourers. The Development of the Armourer’s Crafts and the Forging of Fourteenth-Century London

Brad’s research reconstructed the structure and organization of the armourers’ trade in fourteenth-century London. Supervised by Prof Linne Mooney (English) and Prof Sarah Rees Jones (History), Brad explored how armour was manufactured and sold in medieval London, and also looked at the prominence of armourers in the disturbances of 1383 and 1384.

 

Justin Sturgeon, Text & Image in René d’Anjou’s Livre des tournois, c. 1460: Constructing Authority and Identity in Fifteenth-Century Court Culture

Justin’s dissertation focused on the famous tournament book written by René d’Anjou and lavishly illuminated by Bartholomew d’Eyck. Supervised by Dr Jeanne Nuechterlein (History of Art) and Dr Craig Taylor (History), Justin’s work offers a detailed study of the relationship between word and image in the tournament books of Rene of Anjou, and the broader cultural and political contexts in which they sit. In addition, Justin has prepared the first critical edition of this important text.

Justin’s external examiner was Prof Anne D Hedeman, Judith Harris Murphy Distinguished Professor of Art History at the University of Kansas. While in York, Prof Hedeman also delivered the York Medieval Lecture entitled Imagining the Past: Interplay between Textual and Visual Imagery in Late Medieval France.

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Justin Sturgeon with his PhD examiners, Prof Mark Ormrod and Prof Anne D Hedeman

 

Disciplines in Dialogue (25 November 2015)

Disciplines in Dialogue
Centre for Medieval Studies & the Literature Society  (Huntingdon Room, King’s Manor, 5-30-7pm, 25 November 2015)

The CMS and the Literature Society are pleased to present our second annual workshop that gives students the chance to meet members of the CMS and to explore the interdisciplinary study currently taking place at the University of York.

This event will feature five short talks by staff and PhD students at the CMS, discussing their current research projects, ranging from Canterbury Cathedral to the Vikings:

  • George Younge, ‘Anglo-Saxon Sources of the Gothic Windows at Canterbury”
  • Harriet Jean Evans, ‘Laws and Daily life in Medieval Iceland’
  • Emanuele Lugli, ‘Murder by Fashion: Medieval Tailoring and the Politics of War in Trecento Italy’
  • Carla Jardim, ‘How to Make a Medievalist in 3 Easy Steps’
  • Craig Taylor, ‘A Book Fit for a Queen: Margaret of Anjou and the Shrewsbury Book’

And after the workshop, we will have a wine reception in the Headmaster’s House, the home of the Centre for Medieval Studies.

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