We would like to congratulate three of our PhDs in Medieval Studies who have successfully passed their vivas since September:
Katharine Handel, French Writing in the Cloister. Four Texts from Saint Albans Abbey Featuring Thomas Becket and Alexander the Great, c.1184-c.1275
Supervised by Prof Elizabeth Tyler (English) and Dr Sethina Watson (History), Katharine examined the important place of Francophone culture in the monastery of St Albans from the late 12th to the late 13th century. The dissertation examines works like Beneit’s Life of Becket, the Roman de toute chevalerie and the unpublished Estoire le rei Alixandre.
Katharine is now working at Oxford University Press.
Brad Kirkland, Now Thrive the Armourers. The Development of the Armourer’s Crafts and the Forging of Fourteenth-Century London
Brad’s research reconstructed the structure and organization of the armourers’ trade in fourteenth-century London. Supervised by Prof Linne Mooney (English) and Prof Sarah Rees Jones (History), Brad explored how armour was manufactured and sold in medieval London, and also looked at the prominence of armourers in the disturbances of 1383 and 1384.
Justin Sturgeon, Text & Image in René d’Anjou’s Livre des tournois, c. 1460: Constructing Authority and Identity in Fifteenth-Century Court Culture
Justin’s dissertation focused on the famous tournament book written by René d’Anjou and lavishly illuminated by Bartholomew d’Eyck. Supervised by Dr Jeanne Nuechterlein (History of Art) and Dr Craig Taylor (History), Justin’s work offers a detailed study of the relationship between word and image in the tournament books of Rene of Anjou, and the broader cultural and political contexts in which they sit. In addition, Justin has prepared the first critical edition of this important text.
Justin’s external examiner was Prof Anne D Hedeman, Judith Harris Murphy Distinguished Professor of Art History at the University of Kansas. While in York, Prof Hedeman also delivered the York Medieval Lecture entitled Imagining the Past: Interplay between Textual and Visual Imagery in Late Medieval France.
