Earlier this summer, the CMS theatre group The Lords of Misrule, put on a performance of Hrotsvit of Gandersheim’s ‘Callimachus’ at the Leeds International Medieval Congress.
Directed by Nicola Peard, the free performance took place on Wednesday 3 July in Beech Grove Plaza, and was blessed by good weather and an interested crowd.
Written by the 10th-century cannoness Hrotsvit of Gandersheim, Callimachus tells the story of a lustful pagan’s conversion and redemption.
Hrotsvit’s works are something of a favourite for Lords, having formed the focus of multiple past productions; but the group also perform works adapted from or inspired by Old Norse and Old English literature, as well as some completely original productions (for example, their latest production: Upstaged! based on the event of the York Mystery Plays).
The International Medieval Congress this year also saw a performance by another CMS PhD student, Alana Bennett: ‘Romanz-reding on the Bok’: An Evening of Performative Reading.
This event, which took place on Tuesday 2 July, saw Alana undertake a performative reading of Sir Eglamour of Artois, a Middle English romance found in three so-called ‘household manuscripts’. Alana’s PhD research focusses on reading practices, and this performance invited attendees to experience a medieval text a little bit differently: in a way that explored the interplay of text, space, sensory experience, and material culture.